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Around
the Clock, Our Sales Rock!, June 2008--2009 EVIE AWARD WINNER BEST CORPORATE EVENT
& BEST EVENT DESIGN/DECOR
With
the sweet sounds of juke box music playing in the background, Chip
Dipsworth—the most gosh-o-golly wholesome soda-jerk in
town—greeted guests as Bobbie-Sue and Mary-Lou—two “live
table” servers with bouffant do’s—served up Chocolate
Milkshake Martinis and Root Beer Floats.
So began the 50s-inspired party for a corporate group last
summer.
A
Drive-In backdrop was selected to fit the theme, polka dot gobo
patterns highlighted the walls, and tables alternated with black and
pink linen with polka dot overlays.
Chairs were covered with white spandex and pink and black
sashes.
Centerpieces included upside-down poodle skirts and oversized
record labels.
The menu cards at each place setting were handmade from
recovered “45” records with the conference’s theme logo on one
side and the “Mom’s Monday Night Dinner” menu on the other.
Old-fashioned menu items were selected including Tomato Soup,
a duet of Pot Roast and Honey Ham, Mashed Potatoes, Corn, Green
Beans, and Rolls.
As
the dinner began, the lights went down, and Frankie Fontaine, the
evening’s emcee, welcomed guests to American Bandstand’s evening
under the stars.
He then introduced lip-synching buxom bouffant girl group
“The Fortunettes” who performed a musical number.
Frankie returned a bit later to take a walk down memory lane
to the halls of Rydell High School.
A video montage led into a movie clip leading into the final
musical number from Grease.
At the end of the clip, the lights came up on Danny and Sandy
(two of the company’s execs) who performed the song amid laughs
and cheers.
Frankie and the girls came back one last time to perform with
the help on audience volunteers “auditioning” to be the girls’
new lead singer.
As guests were distracted with the rousing entertainment,
hotel staff pulled the airwall behind guests for the night’s big
reveal:
the company’s yet-to-be-seen VP dressed in a special
costume.
As the final Fortunettes’ performance came to an end, the
sound of a motorcycle engine caught everyone’s ear, and Frankie
directed guests’ attention to the back of the room.
In the next moment, the Happy Days theme song began, and a
spotlight came up on the VP in black leather sitting atop a
tricked-out Harley as "The Fonz."
Additional
lights came up to reveal “Hot Rod’s Garage,” a 50s muscle car
nightclub after-party.
A professional hula hooper in Marilyn wig and patent leather
garb and two mechanic hotties dancing to the DJs tunes atop twin
dance floors covered with steel decking.
The entire perimeter was draped in black fabric, and a
selection of 50s hotrod themed gobos were projected throughout.
In the background a Roadhouse backdrop was flanked by two
57-chevy car bars.
Behind each bar, metal shelving held gas cans, oil funnels,
and barware, of course.
Highboy cocktail tables featured red sequin overlays, and
chrome barstools with black patent leather seats provided a place to
sit.
Additional seating included 4 oversized black leather
ottomans, and rolling garage stools around lowboy cocktail tables.
Additional cocktail tables were made from recycled oil drums
with glass tabletops.
Red roses in small tires served as centerpieces.
Green screen photos were set up with photo scene selections
and costumes:
leather jackets, sunglasses, and mechanics’ coveralls.
An ice cream sundae station was set up to fit the theme;
silverware was placed in shiny red toolboxes and chocolate candies
shaped like wrenches, spark plugs, and bolts were available for
toppings.
Black and white photos of 50s-era garages and fueling
stations showed the 1950s price of gas, sodas, and more.
Photos
by Stephanie Drew and Rachel Wagner-Hutchison
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